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Merce Cunningham seperated dance from music, used dice to make choreography, later introduced dance with computer. In the early s, postmodern dance started with a burst of experimentation by a rag-tag group of rebels american american dance site Judson Dance Theater in Greenwich Village.

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They broke with the expressionism of Martha Graham and the theme-and-variations structure of Doris Humphrey. They walked, they ran, they touched the earth and fell onto each other. They aligned with Minimalist artists and musicians in their wish to strip down to essentials—in fact, many of the musicians and artists made their own dances.

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They were all influenced by Merce Cunningham and John Cage, but developed their own styles. Feelings Are Facts examines the contradictions and creativity of this remarkable provocateur—still performing at age 80—and raises the question, What does it mean to be an avant-garde artist today?

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In the s, Rainer turned from performance to filmmaking, and after 25 years of filmmaking she returned to choreography once again to make courageous, unpredictable dances.

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